A Library of Wine Works

Vinotheca

Atlases, tools, studies — and personal books of wines tasted and winemakers met.
in vino, cognitio
Epigraph
Spet trte so rodile,
prijat'lji, vince nam sladko,
ki nam oživlja žile,
srce razjasni in oko,
ki utopi vse skrbi, v potrtih prsih up budi.
The vintage, friends, is over,
And here sweet wine makes, once again,
Sad eyes and hearts recover,
Puts fire into every vein.
Drowns dull care Everywhere And summons hope out of despair.
Nazadnje še, prijat'lji,
kozarce zase vzdignimo,
ki smo zato se zbrat'li,
ker dobro v srcu mislimo;
dókaj dni naj živí vsak, kar nas dobrih je ljudi!
At last to our reunion —
To us the toast! Let it resound,
Since in this gay communion
By thoughts of brotherhood we're bound.
May joyful cheer Ne'er disappear From all good hearts now gathered here.
— France Prešeren, Zdravljica / A Toast (1844) English translation by Janko Lavrin, 1954

Wine rewards close attention. A bottle is a piece of geography, a piece of history, and a personal opinion about taste — and the more ways you can look at it, the more it gives back.

The wine world is full of scores and full of prose, but surprisingly short of works that help you see patterns and find connections. The works collected here try to fill that gap. Each one answers a specific question a wine-curious person asks: where are the great sites for the grape I love; which lesser-known varieties are likely to win me over next; why do some regions on opposite sides of the world feel like cousins; which shared traits of character link winemakers across continents?

Maps locate the wine world — atlases of vineyards and estates. Inquiries pair an instrument with the study behind it, each turning the same question over twice: once as a tool you use, once as an argument you read. And Correspondence, quieter, is where you bring a word or a feeling and receive a small offering in return. Held apart from these three, the Personal Codex keeps two private records: of wines tasted, and of winemakers met. A map where a map helps, a chart where a chart helps, and language where neither will do.

Part I

The Library

Atlases, inquiries, and correspondences that describe the wine world as it is — and the reference beneath them.

Maps

The wine world, located
Two atlases. One maps where the great sites are, arranged by grape; one maps the estates that make the world's recognized wines.
i.

The Maker Atlas

The estates behind the world's recognised wines, placed on the map.

A global atlas of wine estates across the principal producing regions. Balanced for geographic and grape coverage, and presented as a world map with a companion volume. A curated reference, not a ranking — the sister volume to the Vineyard Atlas, organised by place rather than by grape.

Atlas · Wine Estates · Global
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ii.

The Vineyard Atlas

The world's greatest vineyards, arranged by grape.

Monte Bello for Cabernet. Cannubi for Nebbiolo. Clos Saint-Urbain for Gewürztraminer. An illustrated atlas of the sites that set the standard — grouped not by country or appellation but by the grape they happen to make most beautifully. Browse by variety, download the full volume, or simply wander.

Atlas · Vineyards · Global
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· · ·

Inquiries

Paired tools and studies
Three inquiries, each with two faces: an interactive instrument you can use, and the intellectual study behind it. The body of wine — its sensory grammar, read across grape varieties. The soul of wine — its cultural identity, read across regions. The hand of wine — its character, read across the people who make it.

The two faces of an Inquiry are the same question turned over twice. The Tool lets you move through the structure; the Study makes the argument that the structure is real. Each Inquiry shares its supporting documents across both faces.
iii.

The Body of Wine

The sensory grammar of wine, read across the grape varieties of the world.

If Nebbiolo is a fixed point on your map, what else should you be exploring? If you love the floral aromatics, which lesser-known grapes carry the same signature? The Tool plots wine varieties as a network — each grape a node, each connection a shared sensory signature — and lets you wander the natural neighbourhoods that emerge: the floral aromatics, the dark structural reds, the mineral whites, and three others. The Study reads the resulting structure: which grapes sit at its gravitational centre, which sit at its edge, and which families cross the boundaries the trade has drawn. Built on the TasteRank algorithm, a careful measure of how each variety's sensory character compares to every other.

Tool

Grape Affinities

101 varieties · 341 connections · 6 families
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Study

The Body of Wine

101 varieties · 13 sensory dimensions · 6 families
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iv.

The Soul of Wine

The cultural identity of wine, read across fifty-nine regions of the world.

Alsace and Santa Barbara grow some of the same grapes on cool slopes near cool water, yet they could not feel more different: one rooted in centuries of inheritance and tradition, the other young, inventive, still writing its own story. The Tool offers fifty-nine wine regions across two independent classification systems — identity and terroir — side by side; hover any region to see its kin in both systems light up at once. The Study makes the argument behind the surface: that the two systems do not agree, that the map is not the soul, and that the disagreement is where the good wine stories live.

Tool

Region Affinities

59 regions · 6 identities · 7 terroir families
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Study

The Soul of Wine

59 regions · 16 countries · 6 identities
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v.

The Hand of Wine

The character of wine, read across the people who make it.

Some winemakers who have never met, work with different grapes, and live on different continents share a worldview — a way of talking about craft, terroir, tradition, and risk that marks them as quiet kin. The Tool lets a visitor pick a figure and see who stands close to them in character, with the textual evidence that puts them near each other. The Study reads the words winemakers and careful observers use, and surfaces the small communities of shared character that run beneath the map of regions and grapes. A corpus is in preparation; a companion essay on method will follow.

Tool

Winemaker Affinities

Kinship queries · Textual evidence
ForthcomingComing in 2026.
Study

The Hand of Wine

Textual kinship · Shared character · Companion essay
ForthcomingComing in 2026.
· · ·

Correspondence

Bring a word, receive an offering
Two oracles, in the classical sense — instruments of self-recognition where you bring a word, a phrase, a feeling, and receive a small, considered response against which your own situation becomes legible. The framework underneath makes the recognition non-arbitrary; the compression of the response is what makes the recognition possible.

Correspondence tools are not search engines and not recommenders. They give back fewer answers than you might expect, and they pause to let you decide whether the answer fits.
vi.

Region Resonances

A way into the soul of fifty-nine regions through the language of feeling.

If a region's identity is a single word — Burgundy as devotion, Tokaj as melancholy, Santorini as survival — then the question turns naturally inward: what is your word, and where does it live? Bring a feeling — say, "old soul" or "stubborn quiet" — and Region Resonances answers with the regions whose own character already carries it. The felt companion to Region Affinities: where Affinities draws the map, Resonances finds the kin.

regions · identities · Kindred by feeling
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vii.

Grape Resonances

A way into the soul of wine through the language of feeling, answered in grapes.

If Region Resonances asks where a feeling lives, Grape Resonances asks what it would taste like. Type a word, a phrase, a situation — brotherhood, falling deeply in love, deciding whether to move across the country — and receive one to four grapes whose character carries the same weather. It draws on the same fifty-nine regions that ground Region Resonances, listening through the temperaments those regions express, and it answers sparingly — a few grapes offered with care, not a long list to wade through.

grapes · Feeling made flavour · A considered few
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Part II

The Personal Codex

The instruments and studies above look at wine in general. The codices are different in kind: they look at one person's experience of wine, as it accumulates — the bottles drunk, and the makers met.
viii.

Codex Vini

A personal wine book — every bottle, every tasting.

A working end of the library. A living record of every wine tasted, with filters for country, grape, color, and rating. The atlases of vineyards and estates, the affinities of grapes and winemakers, the studies of souls and hands — and the book of what was drunk in company, among good hearts gathered.

Personal · Living · Filterable
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ix.

Codex Vinitorum

A personal book of winemakers — every meeting, every memory.

The other working end of the library. A living record of winemakers encountered in person, with their lineage, their estates, and three quiet signals. A sister volume to Codex Vini: where that book records what was drunk, this one records who was met.

Personal · Living · Filterable
Open the codex →